In technical terms,and particularly in his outstandingly idiomatic Italian enunciation, Ovenden proves complete master of his chosen repertory...
I have only admiration.

The fine tenor Jeremy Ovenden, who has sung most of the major Mozart roles all over Europe, sings with an engaging commitment to these joyous creations… a delightful selection.

Ovenden’s attractive, bright tenor… his rhythm, diction and easy flexibility of voice are exemplary.

David Cairns, The Sunday Times (£)

Jeremy Ovenden…is especially good in Haydn’s marvellous evocations of the summer dawn and the midday heat.

Richard Wigmore, Gramophone

Davis also has a fine cast of soloists. Jeremy Ovenden as Lucas reminds one with his flexibility and lovely open sound of Philip Langridge (there can be little higher praise)

Piers Burton-Page, International Record Review

…Jeremy Ovenden’s eager, eloquent tenor…

George Hall, BBC Music magazine

Particularly outstanding is the high, fleet voice of English tenor Jeremy Ovenden who rolls off divisions and trills smoothly, even effortlessly, with ringing clarity in his upper register and utter control of softer textures.

Jeremy Ovenden delivers a highly persuasive, handsomely sung Jupiter

George Loomis, New York Times

Jeremy Ovenden è un Don Ottavio dalla voce corretto, soprattutto nelle agilità, affrontate con sicurezza. Ottima la dizione.

Jeremy Ovenden ha voce morbida e disegna un Oronte elegante e distante, dall’aplomb inglese.

Jeremy Ovenden che ricordavamo grande interprete britteniano e che abbiamo ritrovato qui superbo tenore di mezzo carrattere. Voce agile ben proiettata, sicura nelle agilita: il cantante britannico ha saputo ricreare il suo personaggio.

... le magnifique tenor Jeremy Ovenden, formé a I'art du Nicolai Gedda, et qoi promet un beau Tamino...

Servis par d'excellentes voix d'ou émergent a haut niveau la prestation du tenor Jeremy Ovenden en Ferrando, a la voix caressante dans la tendresse, capable de dureté dans la colère, toujours intelligent.

Jeremy Ovenden sings the tenor part of Ferrando so very lyrically and wonderfully

Jeremy Ovenden has a beautiful legato and a beautiful mastery of mixed voice. His Deh! Ti piega is superb.

This was gourmet stuff. The Jupiter, Jeremy Ovenden, proved a match for Milne’s brilliance; he had the right lightness of tone and mobility for this unusual part (a tenor hero, not a castrato – extraordinary for 1744) and I Must With Speed Amuse Her flashed and crackled with glittering fioriture, followed by the famous Where’er You Walk, pure, classical, poised.

Raymond Monelle, Opera Magazine

Frank Carroll, Sunday Herald

Jeremy Ovenden must be one of the few modern singers who can encompass the prodigious virtuosity of the Act ll air, I Must With Speed Amuse Her, and then touch the heart with the chaste lyricism of Where’er You Walk.

Raymond Monelle, The Independent

Jeremy Ovenden’s Jupiter is faultlessly stylish… Where’er You Walk is the centre of a half-hour stretch of unsurpassed music that generates a magical degree of sensual bliss and erotic tension.

Jeremy Ovenden, who was allowed to roll about on the ground as Jupiter in priapic agony, had an appropriate touch of Rory Bremner's Oliver Letwin and was impressively funny and strange. He also sang impeccably.

Ottimo il Jonathan del tenore Jeremy Ovenden, reduce da esperienze Mozartiane per le qualità evidentemente il colore, la linea, illegato e il fraseggio...

L'Opera

Jeremy Ovenden, whose soft, clear and endearing tenor, fulfilled all one's expectations... 

Jerusalem Post

Jeremy Ovenden’s rounded tenor gave Zadok’s music an appealing warmth.

Alan Kozinn, New York Times